Sunday, May 2, 2010

Tonal Frequencies for Healing: Solfeggio Frequencies.

"Solfeggio, when used by musicians, means the ability to sight read music and sing the notes accurately (pitch wise) without the use of a musical instrument. For the purpose of this article, Solfeggio refers more to the notes of the diatonic music scale, known by everyone as "Do, Re, Mi,. etc.


I have been a musician most of my life, and math has been one of my favorite subjects since primary school days. As a 26 year old man, the Navy taught me that there is more to electricity and electronics than the "on-off" switch. When I read Dr. Len Horowitz & Dr. Joseph Puleo's "Healing Codes for the Biological Apocalypse" which introduced the Solfeggio Frequencies, I was hooked.

Just recently, I encountered the extended Solfeggio Frequencies (I'm not certain whether it was a joint Horowitz & Puleo effort, or individual effort) and the suggested health possibilities are astounding. Gradually, other possibilities developed in my mind (and maybe others have done the same). I try not to plagiarize others, yet I seem to get inspirational ideas beyond the work of others whom I've encounter. Do realize that all the presentations I make here are the work of Horowitz & Puleo and others. All that I am currently attempting to do is to extend the application of the Solfeggio Frequencies.

TPTB give me a difficult time via the internet; thusly these pages will be sent to you as #1 of 6, #2 of 6, etc. I seem to have less failed deliveries this way. The Solfeggio "wheels" of necessity cannot be sent as a text file. They were developed in MS Word. Sometimes Word-documents deliver without a problem, other times they are garbled. Kindly give me some feed-back as to success or failure of delivery. Do realize that the "wheels" are not of my generation, I merely re-invented the wheel in MS Word so that my archival system is consistent.

Part 1 is this cover letter; part 2 is the background as I understand and collected information about; part 3 is the dowsing verification of ideas I had about the Frequencies (in the dowse, the format is: my original text with dowse-answers in braces and hopefully those dowse-answers are in a contrasting color); parts 4 and 5 are the redrawing of the Solfeggio wheel in MS Word; and part 6 is nothing more than the math work of developing the primary harmonics developed. Parts 4 through 6 are as an attachment because it is the only means I have of forwarding the drawings.

I shared preliminary ideas with friends, who in turn suggested that I forward the materials to specific individuals. It has taken a bit of time to put it all together logically. Tim, the dowser does not reflect my opinion about the difficulty of beating TPTB at their game of control. I personally have had close encounters with the enforcers of TPTB and am still "gun shy." My logical mind says that if we are able to apply the Solfeggio Frequencies as my original dowse lead me to, those individuals could be prime targets and live miserable lives should they take the results into high profile. The reason I try to get wide publication for even preliminary information is the relative safety of many minds and individuals working on similar (if not identical) solutions; TPTB have no clues as to whom picked up on the ideas presented when published, thusly nothing to work with as counter-actions until the end results surface.

Philip N. Ledoux

In Healing Codes for the Biological apocalypse Dr. Leonard G. Horowitz and Dr. Joseph S. Puleo published the Secret Solfeggio Frequencies. Basically it is the "Doe, Rae, Mi, Fa, So, La, Ti, Doe" diatonic scale which we all learn in the first few grades of school.

Over time, the pitch of this diatonic scale has changed and somehow Horowitz and Puleo found the original pitch frequencies.

In the Solfeggio, "Ti" is missing and what we call "Doe" was known as "Ut". Here are the original pitch frequencies of these six notes:

1. Ut = 396Hz which reduces to 9 [reducing numbers: 3+9 = 12 = 1 + 2 = 3 ; 3+ 6 = 9]
2. Re = 417Hz which reduces to 3
3. Mi = 528Hz which reduces to 6
4. Fa = 639Hz which reduces to 9
5. Sol = 741Hz which reduces to 3
6. La = 852Hz which reduces to 6

They also state that Mi is for "Miracles" or 528Hz - is the exact frequency used by genetic engineers throughout the world to repair DNA.

Another interesting tidbit that the authors included as a musical scale with words, from the work of John Keely; where Keely related the hues (not pigment colors) of light related to musical notes. On the "G-Clef" with "C" being the first line below the staff and continuing up the scale and up the staff:

C = Red = Tonic
D = Orange = Super Tonic
E = Yellow = Mediant
F = Green = Sub Dominant
G = Blue = Dominant
A = Indigo = Super Dominant, Sub Mediant
B = Violet = Leading Tone, Sub Tonic
C = Red = Octave

Also included with this chart was another from the Dinshah Health Society:

Red = 397.3Hz Closest Note: G = 392Hz
Orange = 430.8 Closest Note: A = 440
Yellow = 464.4 Closest Note: A# = 466
Lemon = 497.9 Closest Note: B = 494
Green = 431.5 Closest Note: C = 523
Turquoise = 565.0 Closest Note: C# = 554
Blue = 598.6 Closest Note: D = 587
Indigo = 632.1 Closest Note: D# = 622
Violet = 665.7 Closest Note: E = 659
Purple = 565.0 (reverse polarity) Closest Note: A# and E = 562 (both reverse polarity)
Magenta = 531.5 (reverse polarity) Closest Note: G and E =525 (both reverse polarity)
Scarlet = 497.9 (reverse polarity) Closest Note: G# and D = 501 (both reverse polarity)
From this additional information is gleaned:

The Six Solfeggio Frequencies include:

UT - 396 Hz - Liberating Guilt and Fear
RE - 417 Hz - Undoing Situations and Facilitating Change
MI - 528 Hz - Transformation and Miracles (DNA Repair)
FA - 639 Hz - Connecting/Relationships
SOL - 741 Hz - Awakening Intuition
LA - 852 Hz - Returning to Spiritual Order

The basic Solfeggio frequencies totaled six (6). Horowitz continued his search through the years andextended it to 9 frequencies. 'Most everyone is familiar with the Star of David which uses two triangles (inverted to each other) inscribed within a circle. If one uses the same approach for three trianglesoverlapping (no inversions) and space them approximately 40 degrees apart around a circle, some amazing relationships appear. Orient the circle with one triangle apex at North or zero degrees. Label that 396. At the next clockwise point label 417, the next 528, the next 639, the next 741 and the last 852. You now have the basic six Solfeggio frequencies.

The numbers we have so far added to our circle of numbers have a pattern to them: Any number connected by a line, for example 396 and 639, if you take the smaller number and move the last digit to the first position, you have created the line-linked number. [move the 6 of 396 to the front and you have 639] Likewise 417 by moving the 7 creates 741, both numbers are line linked. And 528 by moving the 8 creates 852 both numbers line linked.

As created so far, we have 3 missing numbers, but they can easily be created by applying this moving of digits positions. Take the triangle that has 396 and 639. If we take the 9 and move it to the first position we have 963, which is one of the extended Solfeggio frequencies! Thusly we can now continue the circle one more position by adding 963. Applying this same logic to the 417 and 741 triangle to fill in the missing number we move the 1 to the first position to develop 174 which is another extended Solfeggio number. Continuing clockwise add 174 to the number sequence. And the 528 and 852 triangle if we move the 2 to the first position we have 285, the final missing extended Solfeggio number. So elegantly simple.

Take a piece of paper and lightly grid it off for a large "tic-tac-toe" game. Across the top place the smallest number in the upper left corner; continue horizontally with the line-linked (triangle) numbers 417, 741. In the middle line, left position place the second in clockwise numbering (285), continue horizontally with its line-linked numbers 528, 852. The last horizontal line starts 396 and continues 639, 963. Now for some surprises. Compute the difference between all the vertical row numbers; they are all 111. Compute the differences between the horizontal row numbers; left row and center row all = 243 and center row to right row differences are all 324. And here we go again with the move the last digit to the first position move the 3 of 243 to the front and we have 324.

174 <- dif: 243 -> 417 <- dif: 324 -> 741
dif: 111 dif: 111 dif: 111
285 <- dif: 243 -> 528 <- dif: 324 -> 852
dif: 111 dif: 111 dif: 111
396 <- dif: 111 -> 639 <- dif: 324 -> 963

The end result of all this or summation is the simple fact that you need to remember only two numbers: 174 and 111, and remember the principle of 3 overlapping triangles so that their points are about 40 degrees apart creating nine points around a circle and moving the last digit to the first position.

Harmonic Sums

Once the diagram is set, and 174 is placed in any starting position, move the last digit to the first position creating 417 which is the next number (clockwise) in the triangle, then move 7 to the first position creating 741 which is the last number in the triangle. This connects 174, 417 and 741. The next step is to add111 to 174 which gives 285; this becomes the next clockwise number from 174. Now move the last digit to the first position creating 528 of this triangle and so on to complete the total 9 frequencies and their relative positions. Logical, sequential and amazingly simple!

One does not need to be a number genius, nor a math PhD to recognize that there must be something special to this numbering sequence of the extended Solfeggio numbers. Horowitz places 528 in the center of the circle with the words "LOVE" and "THANKS." I am not thoroughly conversant with the application of these numbers. Horowitz and Puleo state that these numbers are the key to creation and destruction. On other sites, it is implied that one should apply the real frequencies to the corresponding points on the circle we constructed, I assume a metallic plate. With the equipment that most people have available, only one frequency at a time can be generated. Thusly, 9 different frequencies at their appropriate points for equal amounts of time. I personally wonder what would happen if one would apply 9 frequency generators to their respective points all operating simultaneously.

Philip N. Ledoux".

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